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this is your cameraman locking himself in the cell. what i won t do for the shot. what i won t do. depending on their position, each member of a lockup field team has his or her own unique take on day after day of working inside correctional facilities. michael st. claire, or paunch, has recorded audio on dozens of lockup shoots. there s intensity in doing sound, in jail, you re listening to someone s stories, listening to somebody explain how they killed somebody, you know, in stereo. it s a pretty intimate way to get to know somebody. you can hear everything, you know, from time to time, you can hear a heartbeat, you can hear if they re hungry. when the camera s off, you know, they ll often tell stories about something they wouldn t want to
this is your cameraman locking himself in the cell. what i won t do for the shot. what i won t do. depending on their position, each member of a lockup field team has his or her own unique take on day after day of working inside correctional facilities. michael st. claire, or paunch, has recorded audio on dozens of lockup shoots. there s intensity in doing sound, in jail, you re listening to someone s stories, listening to somebody explain how they killed somebody, you know, in stereo. it s a pretty intimate way to get to know somebody. you can hear everything, you know, from time to time, you can hear a heartbeat, you can hear if they re hungry. when the camera s off, you know, they ll often tell stories about something they wouldn t want to say when the camera s on. some of that. but even when the sound is not rolling, paunch finds other
this is your cameraman locking himself in the cell. what i won t do for the shot. what i won t do. depending on their position, each member of a lockup field team has his or her own unique take on day after day of working inside correctional facilities. michael st. claire, or paunch, has recorded audio on dozens of lockup shoots. there s intensity in doing sound, in jail, you re listening to someone s stories, listening to somebody explain how they killed somebody, you know, in stereo. it s a pretty intimate way to get to know somebody. you can hear everything, you know, from time to time, you can hear a heartbeat, you can hear if they re hungry. when the camera s off, you know, they ll often tell stories about something they wouldn t want to say when the camera s on. some of that. but even when the sound is not rolling, paunch finds other