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This article is part of our special report A busy EU-Kazakhstan agenda.
Former European Commission Vice President Günther Oettinger called on Monday (10 May) for elevating the EU-Kazakhstan relations to “a new level”, inviting the European business to invest more in added-value products manufactured in the Central Asian country.
Oettinger spoke as an online guest at a conference in Brussels organised by the Berlin Eurasian Club, a business association of mostly German and Kazakh businesses, which coincided with the EU-Kazakhstan Cooperation Council that took place in person in the Belgian capital on the same day.
The former EU Commissioner argued that time was ripe for Kazakhstan, a producer of raw materials among which he mentioned copper, nickel, iron, manganese, gold, and also oil and gas, to process these raw materials into added-value products necessary for industrial production, naming the chemical industry, the automotive sector and the pharmaceutical sector.
Denied, denied, denied: Wesley Jones has not seen his wife and daughter for over a year
20 Jan, 2021 08:00 PM
5 minutes to read
Wesley Jones has been trying to get his wife and daughter from South Africa to New Zealand for over a year now. Photo / Caitlan Johnston
Wesley Jones has been trying to get his wife and daughter from South Africa to New Zealand for over a year now. Photo / Caitlan Johnston
Each day Wesley Jones fears for the safety of his wife and daughter, stuck in South Africa while he works in New Zealand. Jones had turned to New Zealand to be able to provide his
Lebendig is richer in nuance and perhaps pays unwitting tribute to Akira Kurosawa’s incredible film on the same theme
Ikiru), they spend the final days of their lives together ahead of their common fate in which life and death instincts intertwine. As Victor Hugo wrote to Juliette Drouet, “to love is more than to live”.
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Sophie clings to memories of times spent on stage. She has a magnificent theatre costume hanging in the middle of her Munich apartment, whose walls are papered with front covers of Berlin magazine
Tanztheater, which, together with the theatrical set-up of the film, unfolding almost exclusively indoors, reveals the director’s passion for the world of theatre. But Siebert also shows his knowledge of the governing tools of film language - that is, framing and editing - and how to use them. Looking to the films of Ingmar Bergman, for his debut feature film the German director makes use of the theatrical
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