New English Ballet Theatre is in its 13th year as a company and presents a mixed programme at the Lilian Baylis Studio, Sadler’s Wells that's also a rather mixed bag…
Kyle Abraham’s When We Fell review – study of stillness and isolation in black and white Lyndsey Winship
Things have moved up a notch when it comes to filming dance. New York City Ballet has just announced Sophia Coppola will be directing its next dance film, but this latest, When We Fell, already moves the medium into a new sphere.
The cinematographer is Ryan Marie Helfant, who usually works with Beyoncé and Solange, and here co-directed with choreographer Kyle Abraham. There’s a distinct style and cool distance in Helfant’s aesthetic, filmed in black and white – in fact it’s more like a soft greyscale – and there’s something out of time and otherworldly about the result.
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