Alex Camilleri which has been unveiled in the 37th Sundance Film Festival’s World Cinema Dramatic competition.
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Highly refreshing, at this time of drastically narrowed horizons, on account of the great gulps of fresh air afforded by its sunlit seascapes, the film picks masterfully (and honestly) at the thread of a very simple human story (a man, a profession under threat, a family unbalanced by financial constraints) to slowly tease out several other themes (local traditions contending with the evolution of the modern world, corruption, whether to adapt values and dreams to given realities, the burden of social class, the assumption of responsibilities and the need to be able to look at ourselves in the mirror, etc.). It’s a highly realistic, nigh-on documentarian exploration (enhanced by non-professional performances) which the director (who also wrote the screenplay) manages to transpose into a finely restrained fiction fi
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31 market premieres to screen at the Rendez-Vous with French Cinema in Paris
Playlist by Nine Antico
Scores of cinemas around the world might still be closed on account of the health crisis (resulting in a huge number of films awaiting release and the prospect of hefty backlogs once movie-theatres are eventually given the green light), but the ability of film industry professionals to look to the future, not to mention the appeal of French films, both remain fully intact, as evidenced by the mighty battalion of 800 buyers, hailing from 59 countries, who have signed up for the 23rd Rendez-Vous with French Cinema in Paris, which will this year unfold online, between 13 and 15 January, under the aegis of UniFrance (steered by Executive Director
Февруари на Камен Калев открива 25-ия София филм фест duma.bg - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from duma.bg Daily Mail and Mail on Sunday newspapers.
31 market premieres to screen at the Rendez-Vous with French Cinema in Paris
Playlist by Nine Antico
Scores of cinemas around the world might still be closed on account of the health crisis (resulting in a huge number of films awaiting release and the prospect of hefty backlogs once movie-theatres are eventually given the green light), but the ability of film industry professionals to look to the future, not to mention the appeal of French films, both remain fully intact, as evidenced by the mighty battalion of 800 buyers, hailing from 59 countries, who have signed up for the 23rd Rendez-Vous with French Cinema in Paris, which will this year unfold online, between 13 and 15 January, under the aegis of UniFrance (steered by Executive Director