“[Of the Diaspora works by] filling in the overlooked pages of a literary tradition that has long fought to be seen holistically, beyond the achievements of.
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I have spent the past five years reading the descriptions of hundreds of books, trying to find things that are interesting and worthwhile for me to pitch as a freelancer. They are almost always bad.
When you read enough book jacket copy that’s the stuff on the back of the book or inside the jacket flap, telling you what to expect within you start to notice strange patterns. Books from one of the big four publishing houses will have a line or two promising that the latest in literary fiction is a sober look at our current dilemma/modern age/social media addiction/technological approach to dating. If the copywriter is feeling bold, maybe they’ll let us know that the writer is a “dazzling new voice,” or that the release of this debut novel is “heralding a brave new voice in fiction.” From there, a frustratingly vague description of the plot usually contains a foreboding line letting us know the protagonist needs to go on a journey to another country to find herself, or that