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La Prairie art award: photographer Atong Atem wins inaugural $80,000 prize

Melbourne-based South Sudanese artist upturns the dehumanising lens of Eurocentric art history with her joyous and vivid work

Atong Atem explores the history of African migration to Australia in Banksia, at Adelaide s Illuminate festival

Atong Atem explores the history of African migration to Australia in Banksia, at Adelaide s Illuminate festival © Provided by ABC NEWS Banksia was supposed to open at Melbourne s Rising festival, but its season ended after just one day due to lockdown.  (Supplied: Rising/Ari Tampubolon) In 2019, when Melbourne-based South Sudanese artist Atong Atem was invited to exhibit her striking portrait photographs at the Immigration Museum in Melbourne, little did she know she was about to embark on a very personal journey of discovery. The Flinders Street building, formerly the city s Customs House, has been a site of encounter between Australia and the wider world from the mid-19th century until now.

Gordon Koang, Emma Russack and other local indie artists we re loving this fortnight

Gordon Koang Trust Gordon Koang to lift our spirits. The Melbourne-based South Sudanese artist has blessed us with the cheekiest middle finger to COVID-19, a rallying cry of hope that’s as cathartic as it is catchy. Sporting his trademark Nuer rhythms – expertly accompanied with the musical talents of his regular collaborator and cousin Paul Biel, ‘Coronavirus’ is another surefire, surprisingly danceable hit; a perfect encapsulation of everything we wish we could say to the despicable bug in a face-to-face protest: “Go away, we don’t want you in the world/You are difficult, coronavirus/The world gets tired of you.”

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