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Timing is everything. The release of Ali Abbasi’s Holy Spider at a time when the world’s attention is turned to the treatment of women in Iran should win it more ticket sales than his previous (and far better) film Border managed in 2019.
Director Ali Abbasi talks about his new film, Holy Spider – an evocative exploration of misogyny in Iran, which follows the real-life story of early 00s serial killer Saeed Hanaei
Forced to leave Iran after an intimate video of her was leaked, Ebrahimi has rebuilt her career. Her latest film, for which she won best actress at Cannes, celebrates the defiance of women in her home country