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As the Art Industry Has Grown, So Have the Number of People Claiming to Be Expert Advisors Here s How to Tell If They Actually Are

As the Art Industry Has Ballooned, So Has the Number of People Claiming to Be Expert Advisors. Here’s How to Tell If They Actually Are A collector s relationship with an art advisor can be extremely rewarding or discouraging. Megan Fox Kelly. Photo: Lauren Kallen Four months ago, an investment advisor for a family office approached us to consult on a collection of contemporary art that her clients had been building with the help of an art advisor. The majority of the works were by curatorially well-regarded artists who have dominated the market over the past decade and have seen their prices consistently rise. Yet after a recent appraisal, the clients were surprised to learn that many pieces were valued for far less than what they’d paid even though their art advisor had led them to believe that the works would increase in value. 

Editors Picks: 8 Events for Your Art Calendar This Week, From Ming Smith s Air Jordan Campaign to an Art Advisor s New Podcast

Editors Picks: 8 Events for Your Art Calendar This Week, From Ming Smith s Air Jordan Campaign to an Art Advisor s New Podcast
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What Is the World s Top Mega-Gallery? We Crunched the Numbers—and No, It s Not the One You Think

25 works under $25,000 from Frieze New York

121.9 x 101.6 cm (48 x 40 in) Price: $18,000  Davide Balliano s luscious paintings defy simple categorisation. Layers of plaster, gesso and varnish build up to create an illusion of three dimensions that suggest never ending space. There is something animated about his work the repetitive loops and optical play of black and white are dizzying and make for truly happy yet sophisticated paintings.   Courtesy of the artist and Cardi Gallery    UNTITLED 0174, 2020  60 x 60 inches (152.4 x 152.4 cm) Price: $24,000  In his use of a carefully constructed visual language of minimalist forms and repeating patterns, Davide Balliano’s paintings are at once both  visually dynamic and unexpectedly vulnerable.  What at first glance appears to be a restricted precise rendering of bold black and white forms, on closer look reveals subtle surfaces on which the artist scrapes back the apparent perfection.  The combination of gently worked surfaces and weighty

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