again. me neither, we re done being stupid. it s you and me. this is it, unless we re on a brake. [cheers and applause] don t make jokes now. by the time fraser and friends went off the air, there was a feeling among the networks that the multi-camera format filmed in front of a live studio audience was getting kind of tired and getting kind of stale. you guys play the most important part. the live studio audience now there is no form of television that makes us much money for the networks as multi-camera tv shows. we write a for camera show, we write it direct it and
funny, and the fact that you could shoot them like movies and they could be terrific every week. yep, class president felt really good. but later that night, i had a dream. you know, critics loved that because it was something new. it was something that they weren t expecting. you should see the traffic. the only thing moving is the carpool lane. hey, danny. you want a date with mama? get in the car. curb came because larry wanted to do a special. it was his, you know, just eh, for my life. but he would only make it with the stipulation that if he didn t like it, he could buy it back. lucky for us, he liked it. you trying to act like you re not with me? no, i m not trying to act like i m not with you. what are you saying? i m gonna pull a [bleep] out in this thing? don t you dare do that.
and we had the osbornes, and it was fun. because you know, the whole idea of, you know, the guy who bit the heads off of bats, you know, being domestic and his wife and his teenage kids. please don t get drunk or get stoned tonight. that sort of sparks this movement of we can put celebrities on tv and just let them do what they do. i ve always heard that people hang out at walmart. why? i don t know. what is walmart? because like they sell wall stuff? no. what is that? of course, that reaches its peak or nadir, depending on your opinion, with the kardashians. i hate you all. welcome to my family. there s something about watching someone who s maybe slightly like yourself but more obnoxious. you re so evil. there s a lot of baggage that comes with us. but it s like louis vuitton baggage, you always want it. or they re, you know more of a disaster. prostitution whore. you are [bleep] engaged. you [bleep] stupid [bleep]
six pages on english facial language. meetings don t just place sitting down and talking to people. this is a social studies paper. ? josh. donna? look at the memo i gave you what you asked for. don t snap at me. we knew that was the essence of the show, this movement. challenge is number one, lighting. it was the question. if you look at the set on the west wing there s a lot of glass. glass is reflective. there were a lot of technical challenges existed but the biggest was the performance challenge. 802 they would go beginning and end and middle of a scene steams in one take and it was liberating and also intimidating. what the held happened? give me names. we re find, out. the west wing because it s a complete fantasy of a political world that is so healthily bipartisan and shows possibly intensely and emotionally grappling with the hard questions. 40% of americans have a gun
tony is meeting the family at a restaurant, and we re listening to a journey song and watching as one by one the family members come in, and there s these sinister people lurking around. strangers waiting we were wondering, was tony going to survive this? was tony going to be shot? what was going to happen? [ bleep ]. they re cutting to meadow parking the car. you know, all these things that are completely normal, but they re imbued with this dread. don t stop believing hold on to that feeling nothing s happening. they re enjoying a family meal, listening to journey. street lights people and it s building and it s building. don t stop the long black in which everybody said, did i just lose my hbo signal? what s going on there?