house. welcome to this cultural life. your life has always run through your art but when did the art start? it took off at school because i missed so much school. i stopped going to school when i was about 13 and i had to go back when i was 15, i went back for three months and i had to do three days a week by law, otherwise my mum would have been in trouble with social services and things, ijust did whatever i wanted to do in art, and i think that s what it was, really, it had become me in a serious way and because the teachers took me seriously and trusted me, that was quite a fantastic thing at the age of 15 when no one else did, and i didn t have much else to hold onto at the time and if i had not have done art at school, i think god knows who would have happened to me. no idea. this was margate where you grew up. was there any access to museums, galleries, culture? no, see, i didn t even know art museums really existed. there was something like in my mind, when i was real
newest talents making the headlines. india won the toss and chose to field, but it was england who had the early advantage. 19 year old debutant shoaib bashir removing india s captain rohit sharma one of two wickets for him. but his fellow opener, yashasvi jaiswal stuck around for a long, long time, unbeaten all day, closing on 179 not out. india will resume on saturday on 336 6. a good day for that man. it s been a very special. a good day for that man. it s been a very special, special a good day for that man. it s been a very special, special day a good day for that man. it s been a very special, special day for - a good day for that man. it s been a very special, special day for all - very special, special day for all that i ve been through in the last two or three years. it s made it even more special, so, yeah, to get rohit sharma out as well and my first wicket is incredible. a semifinal spot in the africa cup of nations is up for grabs right now as the democratic
hello, i m john wilson. welcome to this cultural life, the radio four podcast in which i ask leading creative figures to reveal key moments and cultural works that fired their imagination and had a profound impact on their own art. my guest is tracey emin, an artist who has always put her own life at the centre of her work. in drawings, paintings, videos, sculptures and installations, she tells very personal stories. we met in a radio studio in the bbc broadcasting house. welcome to this cultural life. your life has always run through your art but when did the art start? it took off at school because i missed so much school. i stopped going to school when i was about 13 and i had to go back when i was 15, i went back for three months and i had to do three days a week by law, otherwise my mum would have been in trouble with social services and things, and ijust did whatever i wanted to do in art, and i think that s what it was, really, it had become me in a serious way and bec
creating environments that unsafe for the lgbtq community. leaders, their governors, are at the head of that. ensuring that it is not safe for lgbtq communities in that state. what we are seeing here is, even if the bills don t pass, we project about ten to 20% of these bills will pass. we are seeing them pass. there are ten don t say gay bills that have passed across ten different states in this country. the harm is done as soon as there proposed. they are proposing this insidious around the lgbtq community that we need to be legislated against as human beings. i beg any of these politicians to show me what happened. what went wrong that you needed to legislate against lgbtq people. i can answer that for. you absolutely nothing! these are solutions to problems that don t exist. they are causing great problems for our community. glad president, sarah kay ellis. often glad to give you the chance to chat and talk about this. for all of you that is gonna do for me on this edit