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Once upon a time, you could stand on the roof of 548 West 22nd Street, up among the water towers of Manhattan, with views out over the Hudson to New Jersey, and watch the city shimmer and reflect on the surfaces of one of Dan Graham’s glass pavilions. It was a New York moment. You could go downstairs, following the blue and green glow of a Dan Flavin light sculpture lining the stairwell, and see shows by leaders in contemporary European and American art reaching back to the 1960s. The galleries here, at Dia Center for the Arts, were some of the first to display Richard Serra’s
Re-emerging as a force in Chelsea
after a two-year, $20m renovation, the Dia Art Foundation’s space there will reopen on Friday (16 April) with a renewed purpose: to champion under-recognised artists and to serve as an information hub for all 11 of Dia’s long-term art sites.
The foundation’s Chelsea renovation unites its three contiguous buildings on West 22nd Street and underlines its gritty history of inventively revitalising existing structures. The 32,500 sq. ft project, which includes 20,000 sq. ft for exhibitions and other programming, embraces the neighbourhood’s traditional character and architectural vernacular, with wide-open industrial-style spaces, exposed brick, wooden ceiling beams and rehabilitated skylights that allow natural light to pour in and illuminate the art. It also reasserts the foundation’s importance in championing long-term art installations that flood the senses.