Gary McNair's one-man adaptation of Jekyll and Hyde faces a daunting obstacle: most of us know how it ends. Consequentially, the piece's challenge shifts from the story itself to how it is told - it not only needs to be immensely engaging, it needs to present a new perspective to combat overfamiliarity. It achieves the former, but the latter is less convincing.
Ulster American, last seen in Edinburgh in 2018, opens with a debate about using the n-word. So far, so Ireland. We then touch on sex, consent, religion, Unionism, the IRA and Brexit, all crafted with bitingly sharp humour. It’s a lot to take in.