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There has never been a movie where a middle-age couple go on the run, pursued by teenage cops. This is the sort of thing that's so obvious it never occurs to anybody. All lovers on the run are young. All cops are older. That's because road movies are to late adolescence what monster movies are to kids: a way of exorcising unease. Little kids identify with monsters because, like Godzilla, they feel uncoordinated and misunderstood. Moviegoers in their teens and 20s identify with road movies because, like their fugitive heroes, they feel a deep need to leave home, to flee adult regimentation, to exist outside organized society, to make their own rules. The genre requires them to commit crimes before going on the lam, but that's just a technicality required in order to explain why the cops are chasing them. “Kiss or Kill” is a rare revisionist road movie. It breaks with the genre in three key ways. 1.) Although Nikki and Al, the young lovers, are indeed criminal, they spend

United statesNullarbor plainWestern australiaDoyle barry langrisheBarbara waltersNikki frances oconnorChris haywoodAndrews gilbertLarry kingMax cullenDavid mametAlthough nikkiFranceso connorMatt dayZipper doyleBarry langrishe