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The Sorrows of Satan review – Faustian fun from a stately home

Sun 16 May 2021 05.30 EDT This light, witty, devilishly well delivered “play with music” within a play with music is loosely based on the bestselling 1895 novel of the same title by Marie Corelli, itself loosely based around the myth of Faust. Here, there’s a twist to the tale. Satan, who secretly longs for redemption, is damned more deeply every time he succeeds in converting a soul to evil. Hence his suffering when impoverished writer Geoffrey Tempest succumbs to the temptations of fame, fortune and a kiss from the lips of the woman he loves. In this online stage version, set in the 1920s, Tempest has written a pretentious “play with music” – emphatically not “musical comedy” – also loosely based on the Faust legend. It is being rehearsed at the splendid Mayfair home of Tempest’s new acquaintance, Prince Lucio Rimânez (AKA Satan), with the assistance of one of Lucio’s earlier fallen souls, Amiel, and a succession of identi

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