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RLPO/Hindoyan review – vivid and eloquent, plus the warmth of Dvořák s sunshine | Classical music

The Royal Liverpool Philharmonic’s chief conductor’s wife, Sonya Yoncheva, was an ideal soloist for Chausson’s song cycle – the centrepiece of this appealing concert

Yale Cabaret Lands The Parachute

Blood-spattered limbs. Wigs and heels. A marriage in trouble. Angels and demons, birds and fish. All of these and more are part of the Yale Cabaret's…

Connolly, Middleton, Leeds Lieder online review - epic voyage on a luxury vessel

Connolly, Middleton, Leeds Lieder online review - epic voyage on a luxury vessel | reviews, news & interviews Connolly, Middleton, Leeds Lieder online review - epic voyage on a luxury vessel Connolly, Middleton, Leeds Lieder online review - epic voyage on a luxury vessel Lavish late-Romantic seascapes with a first-rate crew by Boyd TonkinTuesday, 27 April 2021 Joint captains of the song ship: Joseph Middleton and Sarah ConnollyLeeds Lieder Some lockdown-era recital programmes have doled out miserly short measures, as performers gallop through a brief, rushed hour (or less) of music as if afraid to tax the online patience of their disembodied audience. Some lockdown-era recital programmes have doled out miserly short measures, as performers gallop through a brief, rushed hour (or less) of music as if afraid to tax the online patience of their disembodied audience. If this final concert in Leeds Lieder’s spring weekend of song had a fault, it lay on the op

Connolly, Middleton, Leeds Lieder online review – epic voyage on a luxury vessel

Connolly, Middleton, Leeds Lieder online review – epic voyage on a luxury vessel | reviews, news & interviews Connolly, Middleton, Leeds Lieder online review – epic voyage on a luxury vessel Connolly, Middleton, Leeds Lieder online review – epic voyage on a luxury vessel Lavish late-Romantic seascapes with a first-rate crew by Boyd TonkinMonday, 26 April 2021 Joint captains of the song ship: Joseph Middleton and Sarah ConnollyLeeds Lieder Some lockdown-era recital programmes have doled out miserly short measures, as performers gallop through a brief, rushed hour (or less) of music as if afraid to tax the online patience of their disembodied audience. Some lockdown-era recital programmes have doled out miserly short measures, as performers gallop through a brief, rushed hour (or less) of music as if afraid to tax the online patience of their disembodied audience. If this final concert in Leeds Lieder’s spring weekend of song had a fault, it lay on t

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