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debanco wrote a book about the instrument. it describes the painstaking restoration his father-in-law commissioned for the countness. the wear and tear is high aside from all of the physical stress. there is change in climate and temperature and humidity. and at the certain point the cello was almost as weary as he. welcome fwook strange inheritance. you saw the story of two daughters and their father s most prize possession. a 300-year-old. he bought it for hundred grand but solid sold it for millions. here is the maker of strings
jamie: i have to say that the sound sounded to me richer. deeper you have a good ear. jamie: really? this is a good quality modern cello. couple years ago. this is mikal s cello. what year? 1780. jamie: if i were a student of yours, could you teach me to play one note? sure. chris, would you let me? i suppose. i sense hesitation. no. i trust you. am i hurting the value of this cello? yes. i m sorry. i better stop. returning to the tale of the countess of stain
what information can you get from the cat scan and someone body in buying the cello that you can t get otherwise? we can get a lot of information about the a natome of the cello and what makes it unique and what is different from this cello from other cello. and condition of the cello. it is a very old cello, it will have had repairs and woo can see all of those repairs. can you produce your own stradivari by getting your information. yes. you can build a stradivari. we can build something close. have you? yes. really? could you pass it off atz the real thing in that s more difficult. i saw you nodding your head when they talked about the fact, couldn t you get the same wood and had the cat scan.
lock it into a vault. the cello is only half itself if unheard. it had been his express desire and conviction that it be played. jamie: and you made a decision that the strad was better in the hands of someone who could play it than on the shelf of someone who could pay for it? potentially pay more for it. we didn t want it on a shelf. they re able to look at all the factors. choose one of the bids. chris agrees on the conditions. it s not every day you get to sell a 300-year-old stradivarius. off he goes with the countess on a world-marketing tour. all the cellos that i showed it to were completely shocked about the sound. all of them said it was the best cello they had ever played. jamie: i had to wonder, is the
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