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Published posthumously, the last of three Dante translations reveals Gray’s powers of insight and invention A detail from Hell, the first volume in Gray’s trilogy. Photograph: Alasdair Gray/Hell A detail from Hell, the first volume in Gray’s trilogy. Photograph: Alasdair Gray/Hell Thu 24 Dec 2020 02.30 EST Alasdair Gray, the great Scottish novelist and artist, died a year ago, in December 2019. In his biography of Gray, Biography (2008) – the closest thing we have to a contemporary Boswell’s life of Johnson – Rodge Glass concluded: “Alasdair will only be appreciated when he’s dead, and even then it won’t be what he deserves.” None of us gets what we deserve, but Gray made a final bid for serious appreciation with his late translations of Dante:

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