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Church Hill, leading from Hoe Street to Prospect was once known as Parsonage Hill, and was where the Rectory Manor house once stood in Walthamstow. In 1784-5 a large three storey house was built on the opposite side of the road, later known as Church Hill House. It was a typical gentleman’s red brick house, and was set in large gardens with an orchard, and meadlowland bounded by Hoe Street to the west and to where St Mary’s Road is today to the south. In the early 19th century the house was one of the residences of the Sims family who also owned a house in London Street. The Sims were actively involved with slavery in Jamaica; merchant John Sims had owned the Holland Estate in Trelawney, and his daughter Frances married James William Freshfield, founder of legal firm Freshfields who had plantation owners amongst their clients, and were involved in later compensation claims. John’s lawyer son Charles James Sims was a resident slave owner and Member of the Assembly for St
East Nashville
The Red Arrow Gallery. I recently read a description of
Paul Collins’ creative practice in which the word “diaristic” caught my eye it captures both Collins’ everyday subject matter and observational gaze so precisely. Collins’ point of view is the strongest aspect of his work, giving his paintings, drawings and sculptures conceptual depth while also informing a recognizable style that’s offhand, but always thoughtful and sincere. Again, that description of his art fits so well because his work always reads like notes he’s taken during the day stuff he saw, things he did. His new series of avian watercolors will look very familiar to Nashvillians who might have gotten a kick out of all the winter bird-watching the recent blizzards brought us. Collins also noticed the chromatic pop of crimson cardinals flitting through the falling white; the puffed-up orange chests of cold-weather robins; black squadrons of starlings lighting on bare branches.
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