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Because editing is, in a sense, a thing of the past. That is, he was so keen on editing, but here he did not come up with any editing techniques in advance, and here he immediately built it under some of his own associative transitions, we can see how different eras are combined as a transition, for example, such an eccentric solution, this is beyond the dead at the end of this plan. Here we see how he takes off his masks, negative heroes, there are skeletons, positive heroes take off their masks and there are living laughing faces, this is the same opposition between the living human principle and some kind of terrible suppressive machine that runs through all of his work, which we see potemkin, which we will later see in nevsky, in general, here the structure is rather not so much a framewise montage as a montage of certain such short stories. In particular, we can probably watch the prologue of the film, when it shows, in general, the image of eternity, these eternal stones and peop

Short storyIron curtainShort filmsSeries shortLittle new yorkNew yorkMuseum modern artMuseum artSomething likeUnion lateShows movieArt new yorkOleg kovalovDigital cultureOne wayMary seaton