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Marty Ehrlich - Line on Love +Album Reviews

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Mastery and Transgression in Music That Bridges Genres

‘Mastery and Transgression’ in Music That Bridges Genres A new box set showcases Julius Hemphill’s work as a composer, saxophonist and flutist on the boundary between jazz and classical styles. “The Boyé Multi-National Crusade for Harmony,” issued by New World Records and named after one of Julius Hemphill’s touring projects, shows how thoroughly he adapted and reinvigorated his early influences.Credit.George Rose/Getty Images By Seth Colter Walls Published Feb. 5, 2021Updated March 15, 2021 Julius Hemphill was a vigorous force in American music from his first public performances and recordings in the late 1960s until his death, at 57, in 1995. Whether playing saxophone or flute — or even, as on his overdubbed solo “Blue Boyé,” both at once — he blended folk traditions with a joyous avant-garde edge.

New Jazz Adds - 1/19/2021

Michael & Peter Formanek – Dyads (Out Of Your Head): “Michael and Peter Formanek started making music and improvising together before Peter started school. Regular visits to their home from friends and colleagues like Tim Berne, Jim Black, Marty Ehrlich and many others only served to normalize this as being an essential part of human interaction. During much of their time living in Baltimore and as Peter began to study music formally (first on guitar then on saxophones and woodwinds), it was just part of daily life to have musicians come by to play, rehearse, or just hang out. This eventually turned into regular groups and collaborations that performed in local venues in and around Baltimore. For Peter’s eighteenth birthday they played a night of Michael’s music at the Cornelia Street Cafe with a lineup of Tim Berne and Peter Formanek on saxophones, Jacob Sacks on piano, Jim Black on drums, and Michael Formanek on bass. Peter went to University of Michigan in Ann Arbor in 2

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