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Reichenbach bringt sein Jugendfestival über die Bühne | Freie Presse

Reichenbach Reichenbach bringt sein Jugendfestival über die Bühne Erschienen am 20.07.2021 Die Band Scusi mit Selina Tulasoglu und Elias Störr bei ihrem Auftritt zum Reichenbacher Jugendmusik-Festival Back to live am leider verregneten Samstagabend im Park der Generationen. Foto: JB Steps ✖ Schon gehört? Sie können sich Ihre Nachrichten jetzt auch vorlesen lassen. Klicken Sie dazu einfach auf das Play-Symbol in einem beliebigen Artikel oder fügen Sie den Beitrag über das Plus-Symbol Ihrer persönlichen Wiedergabeliste hinzu und hören Sie ihn später an. Artikel anhören: Von Petra Steps Von Jugendlichen für Jugendliche - das war die Idee hinter dem Festival Back to live , das am Samstag im Park der Generationen stattfand.

Architecture from Slovenia

© Nevena Katalina The act of remembering looms large in national cultures. Shared national memories act as a foundation for national identity, a unifying collective interpretation of history that can define what it means to belong in a certain place. Monuments loom even larger - define a national memory in concrete and stone, and you can help define your vision of the nation. That s why Nevena Katalina, a graphic design masters student at the University of Novi Sad in Serbia, has taken the famous abstract war memorials in the former Yugoslavia and translated them into posters, attempting to reconcile the imposing concrete forms with the impact they ve had on culture and memory in countries around the former Yugoslavia.

The Slovenian Pavilion at the 2021 Venice Biennale Explores the Social Infrastructure of Local Cooperative Centres

Cooperative centre in Kostanjevica na Krki, 1953. Courtesy of Božidar Jakac Art Museum, Kostanjevica na Krki. Image © Lado Smrekar A central space for the community, the cooperative centre is a local multipurpose public building, serving as a venue for various economic, social and cultural activities. The typology of the cooperative centre emerged during the post-war reconstruction and modernisation process and was designed to serve the needs of the new cooperative agriculture model. In 1947, Yugoslavia launched an extensive program that saw the creation of thousands of cooperative centres across its territory within five years. In Slovenia, part of Yugoslavia until 1991, more than 300 cooperative centres were built. The Slovenian exhibition highlights this historical project and its implication, as well as the significance of the cooperative centre typology today.

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