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we were talking a moment about things behind the scenes. we re proud of the fact that on american crime the majority of our directors were female. there is still issues of access. so it s things that i m proud about that are obvious with the show that it deals with race, that it deals with faith. there are so many things. i m not trying to be a show for abc. they took a chance all the way around with the show. what have you learned about you talk about the systemic things. you talk about big discussion about the academy. the academy is one thing. who is in the room when you re making the pitch. who is reviewing the scripts. how much has that changed? unfortunately it hasn t changed a lot, and when i started writing fresh prince of bell air and the martin show, it was the early mid 90s. we thought a lot of us people who look like me, we were sitting in a room as writers thinking 20 years from now there will be so many stories we ll have an opportunity to tell. so many things we
we can probably show you what is going on in baltimore that looks not that different. the show was created by my guest john ridley who worked in hollywood for more than two decades. a writer producer, and director who won an academy award in 2012 for 12 years a slave. congratulations on american crime. i think which is this show that takes all these live wire social issues and sort of runs them through the conduit of this nontraditional crime drama. absolutely. it s not about prosecutors. it s not about police. it s about families. and their journey through the system. it is a bit odd looking at that bit of tape you showed from our episode that is going to show this week thursday to know that is actually happening right now. it was a pretty much a guiding principle for everyone on the show. it is a piece of fiction but we wanted to have an emotional