Latest Breaking News On - Martin darrell britt gibson - Page 2 : comparemela.com
Netflix s Fear Street trilogy review: Smells like teen spirit(s)
thehindu.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from thehindu.com Daily Mail and Mail on Sunday newspapers.
Fear Street Spoiler Review: Looking Forward, Looking Back – /Film
slashfilm.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from slashfilm.com Daily Mail and Mail on Sunday newspapers.
FEAR STREET Director Teases A Scary MCU-style Universe of Slashers
dreadcentral.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from dreadcentral.com Daily Mail and Mail on Sunday newspapers.
Goode is bad
(VanDam / Netflix )
The biggest payoff for the trilogy is that Sheriff Nick Goode (Ashley Zukerman) and the entire Goode family line are responsible for making and honoring the longstanding deal with the devil not Sarah Fier. In fact, the Fier portrayed in the beginning of the film is not a witch, but after she’s seen kissing Hannah Miller (Olivia Scott Welch) she is accused of being one.
When the town needs someone to blame after Pastor Miller (Michael Chandler) became possessed and gouged out the children’s eyes, Thomas (McCabe Slye) rallies the town to label Sarah Fier a witch who laid with the devil and enchanted Miller’s daughter into a kiss.
In âFear Street,â a Lesbian Romance Provides Hope for a Genre
Mainstream horror rarely lets queer women be the heroes. The Netflix trilogy takes a defiant stance with a relationship that covers centuries.
Olivia Scott Welch, left, and Kiana Madeira play lovers and heroes in the “Fear Street” films.Credit.Netflix
By Candice Frederick
This article contains spoilers for the âFear Streetâ trilogy.
Type âqueer horror filmsâ into a search engine and youâll get a bevy of articles poring over every gesture, sentence of dialogue and subtext in movie history, from âPsychoâ to âThe Babadook.â While queer characters have, in the last two decades, begun to move to the center in films like âSpiralâ and âThe Retreat,â theyâre still too often merely implicit, made to seem like the other, or simply killed off.