The title of Henry Taylor’s first major exhibition in France, installed in a neoclassical townhouse near the Champs-Elysées, doesn’t go unnoticed. The expression, which comes from Taylor’s mother’s lexicon, turns heads along with the rich colors of his beautifully rendered, loose paintings on view in the newest outpost of Hauser & Wirth, located in an enclave in the 8th arrondissement that has been historically associated with French luxury but has also a reputation for being “stuffy.”
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For many of the villagers, it was the sculpture that first caught the eye. When Soak Becomes Spill, a six-metre high stainless steel bucket overflowing with cooking utensils that once sat outside London s V&A.