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Emmanuel Gat explains why it’s easier to choreograph to Pierre Boulez than pop music and how his dancers perform ‘with a question mark not an exclamation mark’

Tel avivCity ofUnited kingdomMarco goecke tori amosJethro tullPierre boulezRoland orzabalCurt smithEmanuel gatMad worldMarseille based israeliBirmingham royal balletBlack sabbathArthur pitaMarco goeckeTori amos