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Judas and the Black Messiah : How Mixer Marlowe Taylor Captured the Sound of The Church Scene

Judas and the Black Messiah : How Mixer Marlowe Taylor Captured the Sound of The Church Scene Jazz Tangcay, provided by FacebookTwitterEmail In Shaka King’s “Judas and the Black Messiah,” the sound of the 1960s is an authentic and riveting one. As King tells the story of Illinois Black Panther Party leader Fred Hampton (played by Daniel Kaluuya) and his betrayal by an FBI informant, the key for the sound team was to not just be authentic, but also to find a soundscape that was naturalistic. The idea was to use sound to support the characters’ stories. More from Variety

OU Alum Marlowe Taylor Receives Oscar Consideration for Judas and the Black Messiah

Fast forward a little over 20 years, and Taylor’s sound work on director Shaka King’s Judas and the Black Messiah. is indeed being considered for an Oscar nomination. The film tells the true story of the 1969 betrayal and FBI assassination of Fred Hampton, the deputy chairman of the National Black Panther Party. Hampton was only 21 years old when he was identified as a “radical threat” by the FBI shortly after founding the Rainbow Coalition, a multicultural political organization that brought together white, black, and Latino activist groups for the purpose of pursuing lasting social change for all subjugated communities.

Judas and the Black Messiah Has Best Oscar Qualities but Could Still Come up Short

Judas and the Black Messiah Has Best Oscar Qualities but Could Still Come up Short
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