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Movie Review - In the Earth (2021)
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In The Earth review: off-the-grid folk horror
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SPIRAL: 3 STARS “And Justice for All,” the last four words of the American Pledge of Allegiance, sum up the dynamic of “Spiral: From the Book of ‘Saw, ” the ninth instalment of the “Saw” franchise, now playing in theatres. On one hand you have a murderer dispensing their own brand of justice; inventively slaughtering people who have broken a twisted moral code known only to the killer. For instance, a detective who has lied on the stand many times, is given the choice, provide justice by tearing out his own lying tongue, or be killed. “Live or die. Make your choice.”
Fort Worth Weekly
The Paper Tigers (PG-13) This martial-arts comedy is about three middle-aged former kung fu prodigies (Alain Uy, Ron Yuan, and Mykel Shannon Jenkins) who are forced to revive their talents to solve the murder of their master. Also with Yuji Okumoto, Jae Suh Park, Roger Yuan, Peter Adrian Sudarso, Yoshi Sudarso, and Matthew Page. (Opens Friday in Dallas)
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OPENING
Above Suspicion (R) This thriller based on the first American conviction for the murder of a federal agent stars Jack Huston as an FBI man who has an illicit affair with his informant (Emilia Clarke). Also with Sophie Lowe, Austin Hébert, Thora Birch, Omar Benson Miller, and Johnny Knoxville. (Opens Friday in Dallas)
Film Shorts // April 28-May 4, 2021
OPENING
Cliff Walkers (NR) This Chinese spy thriller by Zhang Yimou (
Hero) is about a group of agents (Qin Hailu, Yu Hewei, Zhang Yi, and Zhu Yawen) who return to their Japanese-occupied country in the 1930s to find that they’ve been betrayed by persons unknown. Also with Liu Haocun, Li Naiwen, and Ni Dahong. (Opens Friday at AMC Grapevine Mills)
Four Good Days (R) Rodrigo Garcia delivers yet another dull, earnest drama about white people living on the West Coast. Glenn Close stars as a mother who takes in her estranged, opioid-addicted daughter (Mila Kunis, looking emaciated with bleached-blonde hair and blackened teeth) to help her stay clean for four days prior to receiving a shot of naltrexone that will prevent her from getting high. The film doesn’t drag, but every argument in this movie feels like something you’ve heard from a thousand other movies about drug addiction. The performances here aren’t enough to lift the film above t
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