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Wet Paint: Buyer of $1 4 Million Emily Mae Smith Unmasked, Jeffrey Epstein s Brother Spotted Upstate, & More Art-World Gossip

Meet the five best-dressed artists to have ever lived

Photo 12 / Alamy Stock Photo I’ve spent the last five years thinking about the clothing of artists. It’s not just what they wear, it’s why they wear it, in what circumstances, and the lessons we can learn from their way with style. The result is my book, What Artists Wear, which explores the language of clothing worn by artists such as Andy Warhol, Barbara Hepworth, Joseph Beuys, Cindy Sherman, Mark Leckey, Sarah Lucas and Martine Syms. Writing the book has changed the way I look at both fashion and art. I’m ready to go deeper, to explore further the subconscious messaging in the clothing we wear and the art we experience. But I’m also left with an even greater appreciation of artists with great style, who make the active choice to dress with purpose. Especially for

Group think: why art loves a crowd

Group think: why art loves a crowd Viareggio Air Show, 1995 (detail), by Massimo Vitali. Photograph: Courtesy Mazzoleni, London-Torino From flâneurs to rallies, protests to parties, human beings are drawn to congregate. With social gatherings a possibility once again, Olivia Laing considers the crowd in art and literature Sun 23 May 2021 08.00 EDT When I was very lonely in New York, one of the things that most comforted me was to wander up Broadway or along the East River, alone but in the company of thousands of strangers. Anonymised by the multitude, I felt the burden of my sorrow slide off me. It was a relief to be part of a whole, no longer agonisingly singular but a drop in what Walt Whitman once called “the rolling ocean the crowd”.

Hug a museum: the best exhibitions to see around the UK as restrictions ease

Hug a museum: the best exhibitions to see around the UK as restrictions ease
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Fact Mix 807: Yen Tech

Fact Mix 807: Yen Tech Share this: Fact Mix 807: Yen Tech Part emotional odyssey, part experimental radio play, the SVBKVLT artist holds up a fractured mirror to the absurdity of contemporary times. Yen Tech guides us through an extraordinary aural retelling of an alternative cultural history of the COVID-19 pandemic in his sprawling Fact mix, which weaves together text-to-script speech, AI language models and a breathtaking suite of experimental music, selected and compiled solely for its emotional heft. These are tracks that have provided strength and solace to the Shanghai-based producer and vocalist over the course of an extremely heavy year, linked more by an exploratory spirit than by any coherent aesthetic or genre focus. “Due to the pandemic I was unable to return to my residence in Shanghai and got stuck in semi-lockdown in the USA,” the artist explains. “The year that followed has felt like being encircled in a steady escalation of violently surreal and psychedeli

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