the defense did. it was a small case. but this is serious. it is a reflection of this generation that does not understand things beyond themselves and that sometimes the community matters more than their need for a date on a certain day. kayleigh: one question. i am not well versed on cultural terms, but cut the sugar daddy be the same as the husband? harris: no. emily: then you just marry your sugar daddy and he becomes your husband. harris: i do want to press what is serious about this. we remember 2018. it was not that long ago. 14 kids murdered at marjory stoneman douglas elementary school. we covered it as it was happening. so that is the importance of this. and i did not want to spend too much time. but i do want to come back to that point. somebody has to make that point. and i love what guy said.
“I was able to produce two amazing albums,” Rosado says. “They are very special because they came from a place of despair of what’s going to happen, I’ve got nothing to do, no work, nowhere to go to a place of hope for the future.” Rosado is no stranger to beating the odds. His music isn’t played on Latin commercial radio even though he has won two of the music industry’s biggest awards: a 2012 “Best Tropical Latin Album” Grammy for
Retro, which he recorded with his band, Marlow Rosado y La Riqueña, and a 2015 “Best Children’s Album” Latin Grammy for
Orun is a deeper, almost meditative recording and Rosado’s first Latin jazz album. (He interprets the Yoruba word as meaning a protective ancestral spirit.) The album also marks the first time the Puerto Rican musician has worked with Afro-Cuban jazz legend Chucho Valdés. The veteran musician is a guest artist on the track, “Marlow y Chucho,” which Rosado wrote.
“I was able to produce two amazing albums,” Rosado says. “They are very special because they came from a place of despair of what’s going to happen, I’ve got nothing to do, no work, nowhere to go to a place of hope for the future.”