all while staying on track to reduce our carbon emissions intensity in the area. because it s only human to tackle the challenges of today to help ensure a brighter tomorrow. closed captioning is brought you by sketchers go long pants. marilyn and arthur arrive in reno to begin filming the misfits. the misfits is written by maryland s husband, arthur miller. it s supposed to be able to
three, four, five, six. as ever, the story is more complicated than the versions we get. and when she was happy with the way that the scene was being interpreted and felt like she was being listened to, she was delivering scenes with perfect comic timing. look. if you are interested in whether i am married or not oh, i m not interested at all. well, not. that s very interesting. when i knew i had the final shots it was a moment of, never again. well, all i can tell you is if marilyn was around today i would be on my knees, please, let s do it again. despite the problems onset, some like it hot is a huge hit for the studio people really responded to it, some people think it is the greatest comedy of all time, and if ever she was full of life in a film, and seemed completely at ease in her skin, it is this one.
this poor little fly. the studio was looking at what is happening on the set. sorry, george, but we can do it. and they are saying, you know what? we are not going to make it here. that was good though. and we are going to lose money, and they pulled the plug. they just pulled the plug. the studio had fired her. they made marilyn take the fall, instead of saying we can t afford to keep this going, because cleopatra is costing a fortune, they said it is because she is an adult mess, and the footage is unusable, nobody can ever work with her again. and that is it. it is shocking that they would let her go, because marilyn was the biggest star at the time. even if they didn t want to admit that. two weeks after she is fired,
through the image. all of the pieces that she s cutting are going on the floor of the car, and i m grabbing them and putting them back. and then i m looking over and i m saying, you know, she s pretty good at editing. but that is how marilyn monroe edited my color pictures. so you might see some transparencies that survived, marilyn monroe looking at a t bird, at a spotlight. i was afraid you would misunderstand about that. what is to misunderstand? on the set of something s got to give marilyn s relationship with the studio goes from bad to worse. can we start again? they say that she is uncooperative, and caused costly delays, and tried to dismiss her as temperamental star, who overplayed her hand. all you can think about is the way i behaved with this poor little okay.
the sensational photos of marilyn hit news stands. the public reaction was just overwhelming. i call her on the phone and say perry is running the covered six pages. germany is going to run a cover in three pages, and every time i get on the phone, her voice would go up another octave, because she was achieving what she wanted to achieve. and that was worldwide notoriety. her weapon was her body. her weapon was this incredible face. her weapon was to knock liz taylor and everybody else off of the cover. it is absolutely stunning that she pulled off what she did, really being smarter than the managers she had. she really knew what she needed to do better than other people did. would you like to drink? no. oh, have a little. that summer, marilyn invites life magazine journalists, and