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Author, actor Gamal Chasten brings solo show about homeless to 6th Street Playhouse

Author, actor Gamal Chasten brings solo show about homeless to 6th Street Playhouse
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6th Street Playhouse Presents Virtual Workshop Production of CRAWFISH: WE, THE INVISIBLE

6th Street Playhouse will present a Virtual Workshop Production - Crawfish: We, the Invisible, written and performed by Gamal Abdel Chasten, Feb 26-28, 2021. In Crawfish: We, the Invisible, Gamal plays Crawfish, a homeless man, speaking to us from Berkeley, CA on Sept 11, 2020, about his journey from home to homelessness. Crawfish shares frank and gritty stories about life on the streets, systemic racism, and climate change, and how they affect his attempt to make it in the world. Marieke Gaboury directs this heartwarming and powerful theater piece. The performance will be recorded in the GK Hardt auditorium (under current Covid19 guidelines) and will be screened at 7 pm on Feb 26 and 27 and at 5 pm on Feb 28.

6 Bay Area arts and entertainment events to check out this week

Chronicle Staff February 22, 2021Updated: February 24, 2021, 7:19 am Takács Quartet. Photo: Courtesy Takács Quartet The Chronicle’s guide to notable arts and entertainment happenings in the Bay Area. With new personnel, the Takács Quartet kicks off spring season at Cal Performances The Takács Quartet keeps evolving as the membership shifts and turns over, but the fundamental qualities of this invaluable ensemble a combination of worldly-wise intensity and expressive fervor – seem to remain constant. With the retirement of violist Geraldine Walther last year, only cellist András Fejér remains of the original lineup formed in Budapest in 1975. Violist Richard O’Neill is the newest member of the group.

6th Street Playhouse s Crawfish: We, the Invisible at Online event

Through Reader s Theater and musicals on Twitch, performing arts camps adapt

Through Reader’s Theater and musicals on Twitch, performing arts camps adapt Courtesy of Palo Alto Children’s Theatre The rare in-person studio dance session did occur this year for youth programs like Palo Alto Children’s Theatre, but vastly expanded, sometimes experimental online offerings made the biggest mark. Performance intersected with technology a little too much this year for most of us, as many of our most personal and professional moments had to happen through a screen. But for local theater camps, the digital stage spawned a new range of options that had never been available to prospective young thespians.

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