Dia 2 0: Facing the future artdaily.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from artdaily.com Daily Mail and Mail on Sunday newspapers.
Dia 2.0: Facing the Future
Jessica Morgan moves the art foundation beyond the sometimes swaggering heart of its Minimalist collection.
Dan Flavin, “the diagonal of May 25, 1963 (to Constantin Brancusi),” a fluorescent light work at the newly renovated Dia Chelsea.Credit.Stephen Flavin/Artists Rights Society (ARS), New York; Elizabeth Felicella
April 23, 2021, 5:00 a.m. ET
In 1988, the Dia Art Foundation hosted one of the most momentous readings in postwar art history the reclusive poet James Schuyler appeared before an audience for the first time in memory, occasioning a line down Mercer Street to the foundation’s SoHo headquarters. One particularly lovely turn in Schuyler’s poem “Empathy and New Year” elicited a hum of admiration from the crowd: “Not knowing a name for something proves nothing.”
The Quietus | Features | Tome On The Range | From Dusk Til Doom: Reading Harry Sword s Monolithic Undertow thequietus.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from thequietus.com Daily Mail and Mail on Sunday newspapers.
DANGERBIRD
Two decades on, the ‘American OK Computer’ (or one of them, anyway) got a deluxe vinyl box, featuring two LPs of rarities and B-sides and a full 2020 re-recording of the album on piano. The latter, rush-recorded during lockdown in Jason Lytle’s LA apartment, was a surprise highlight, actually shining new light on the 11 songs that made up the original record.
29 BRIAN ENO
UMe
While Eno busied himself with a collaborative project alongside brother Roger (Mixing Colours, Luminous), the reissue of his back catalogue continued apace. The Jah Wobble (Spinner) and John Cale (Wrong Way Up) LPs arrived in August along with a Record Store Day release for his Rams OST. This survey of his film scores highlighted the range and depth of his cinematic endeavours: richly textured and immersive, these were more than just movie cues but recognisable compositions in their own right.