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Entries to Scotland s Biggest Prize for Contemporary Landscape Art Now Open - Artwire Press Release from ArtfixDaily com

Entries to Scotland’s newest and biggest prize for contemporary landscape art, the Scottish Landscape Awards, are now open until 31 May 2023. With a first prize of £10,000 the hotly .

Edinburgh to display 150 artists in first major exhibition of 2023

Get ready for a wave of new faces in Scottish politics

Dundee was like going to New York or something, because I didn t know any different - Django Django s David Maclean

© Supplied by Django Django Django Django “Growing up at the other end of the bridge from Dundee, I always felt kind of half-Dundonian,” reminisces David Maclean, drummer and electronic programmer with art-pop group Django Django, speaking from his home in London in the build-up to the release of their fourth album Glowing in the Dark. “I knew Dundee like the back of my hand, way more than I know most of Fife – I still don’t really know Dunfermline or Kirkcaldy at all.” A son of Tayport The son of artist Marian Leven and brother of John Maclean – who had his own musical fame with the Beta Band and more recently directed Michael Fassbender in the film Slow West – Maclean studied at Edinburgh College of Art, where he met his Django Django bandmates Tommy Grace, Vincent Neff and Jimmy Dixon.

Discovering refractions of shared vision of elemental power

Discovering refractions of shared vision of elemental power Karachi December 27, 2020 The Koel Gallery has brought together artists from Scotland and Pakistan to discover in their work the refractions of a shared and evocative vision of the elemental power, rhythm and continuity of natural forces. The participants of the exhibition titled ‘Landscape of Memory’ are Ade Adesina, Farrukh Adnan, Naiza Khan, Marian Leven, Zara Mahmood, Michele Marcoux, Oliver Reed, Usman Saeed, Gill Tyson and Sohail Zuberi. Curated by Sana Bilgrami and Maliha Peracha, the show is running at the gallery until December 29. According to the Koel Gallery, this exhibition reveals how borders can be surpassed through the language of mark-making, and how artworks can speak to each other by embracing, subverting and transcending histories. The artists explore the complex and fragile ecological relationships between nature and humanity.

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