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Tiibeti meditsiini nõuanded ärevuse ja unetusega toimetulekuks
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Remy Bumppo Theatre Company Announces Marti Lyons as its New Artistic Director
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8 am ET: Wigmore Hall presents Jonathan Plowright. The British pianist opens this concert with Busoni’s arrangement of Bach’s D minor
Chaconne which was performed by Busoni himself at the opening of the Hall almost 120 years ago. This is followed by the six pieces that make up Liszt’s
Consolations S172. The concert closes with Grieg’s
Holberg Suite Op. 40, originally written for piano before Grieg adapted it for string orchestra. Register, view here and on demand for 30 days. LIVE
1 pm ET: Wiener Staatsoper presents
Cavalleria Rusticana & Pagliacci. Conductor: Marco Armiliato, director: Jean-Pierre Ponnelle. With Eva-Maria Westbroek, Brian Jagde, Ambrogio Maestri, Zoryana Kushpler, and Isabel Signoret; Roberto Alagna, Aleksandra Kurzak, Ambrogio Maestri, Andrea Giovannini, and Sergey Kaydalov. Production from November 2020. Register for free and view here.
Top Performing Arts Schools in Germany
What are the top colleges for theatre in Germany?by BWW Special
Germany has a number of thriving performing arts institutions with esteemed alumni working on Broadway, touring theatre, local theatre, TV and film! Below, BroadwayWorld rounds up the top performing arts schools in Germany. Check out the list below!
Are you a performing arts student who is interested in blogging about your school productions and the theatre scene in Germany?
College of Performing Arts
The College of Performing Arts is equipped with its own theatre and brings together training programmes in all art forms related to the theatre (except dance and directing): writing, design and performance. Uniting these study programmes in one college facilitates close, practice-oriented and project-based cooperation corresponds to the way theatres themselves function. Great emphasis is placed on giving students early opportunities to work independently. All study programmes pr
From broken legs to flaming wigs: a brief history of theatrical disasters
Five years ago a tenor was nearly killed on-stage by a falling prop. But it wasn t the first time a performer has suffered for his art
2 February 2021 • 6:00am
Before the fall: Robert Dean Smith as Tristan in rehearsals in 2012
Credit: alliance archive / Alamy Stock Photo
How much of yourself should you leave on stage? Back in 2015, the American tenor Robert Dean Smith, came perilously close to finding out. Smith was performing in Wagner’s Tristan and Isolde at Toulouse’s venerable Théâtre du Capitole when he was nearly crushed by a huge 212kg black rock that was meant to only symbolise his tombstone. As the rock descended to a mere 11cm away from his face (it was meant to stop at 60), it very nearly became it. We knew Wagner could be heavy, but this was taking things a bit too far.
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