It positioned a black family is traditional. They brought you inside a Nuclear Black family in a way that was pathology is our caricatured in American Literature and Popular Culture but also did not show in the difficulties in dealing with the challenges of stigma inequality command race in general. Continuing the tour. This is a kind of interesting story. Currently as i mentioned a part of the collection includes amazing fine art and represents the can of like raise. Aa year and a half ago from the bronx reached out to the curator and said i want to give the schaumburg. Come check it out. This was purchased by the gentleman father in1941 with the original bill of sale for 125 still on the back of this panel. Whatwhat makes it even more interesting is this panel was done during the same year as the great migration series. This series is now exhibition in collaboration with the philips. New york. All 60 panels come together. Jacob lawrence himself heres the thing, not only do we have an
AfricanAmerican History is how bad it is. So the history piece is one thing, but also even in this moment. Thats how i started off right . In this moment its all a about how we are diagnose, right . Slow death dying right . At what point do i have any agency to do anything you know, theres a distinction in the world between optimists and pessimists. Turns out that optimists get things done. Optimists succeed. It turns out that pessimists are right about the world. Right. [laughter] right right right right. And i just want to, i want to introduce a term. This is not an academic term, but its a term that i got from some of the black women that i worked with in detroit who were around 16 years old. And they said theres a difference between a struggle, the struggle and struggley with an ly, and they say a struggle is what we go through as human beings on this planet. The struggle they define as specific to the africanamerican experience in this country. And they said but struggley is when
Journalist in rome, italy. I worked for a daily newspaper and i was coming out of an african platform shoes and i asked my editor, was the uniform. What was the code of dress to be a fashion journalist . He introduced me to a woman and she said, dont judge a book by its cover because the cover is what sets the tone for its how people will determine whether or not you already to be sent into this world. She gave me some fast and safe ideas. She said if you dont have expensive jewelry, invest in a nice set of pearls. Put on some sensible shoes because they will believe youre saving the high heeled shoes for later in the evening. And always wear black big because when you wear black, you dont know how expensive or how cheap the article of clothing is. And as you can see, if you watch television you see fashion, you see these women running around, they are all in black. But to date the women here on this panel have, going to tackle the topic, fashioning the self the image is black. They co
Some ideas. If you dont have expensive jewelry invested in a set of rules, but also sensible shoes. Always where black. Nto and as you can see if you watch television in fashion week they are all in black. But today on this panel with the good major topics with the images of black and we continue to judge gave book by its cover of a man walks in the pants are hauled on the hips you automatically say he may not be ready for primetime. A young woman comes with half of her stomach out she may not be ready for prime time but i hope the Panel Discussion will help us to better understand these issues the moderator is 80 cocks a cultural anthropologist to teaches at the African American studies program. Her first book shape shifters. And she has written for a number of books of race and gender in Youth Culture is on the Editorial Board of the feminist writer of the founding Editorial Board of a former coeditor of transforming anthropology. A former professional the answer to a steady dollar s
Artsline || January 31: Local arts and culture events, performances, classes, and exhibitions for the Richmond area, curated each week by VPM's Artsline.