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Directed by Roger Vadim. SYNOPSIS: In the distant future a beautiful space-age heroine is tasked by the President of Earth with capturing an evil scientist who threatens universal peace. See films differently, say Volkswagen on their adverts to promote their sponsorship of independent cinema. I have always held a view on Barbarella which might seem as if it belonged with these quirky takes. Barbarella’s cult status seems to not come because it’s good, but because it’s bad. We might pause to ask what makes a film bad? Barbarella has a plot; and as required with action films, new threats continually appear. It keeps to the traditional screenwriting structure in that there is an inciting incident, something to begin to story. The strip in space opening titles certainly provide a hook and conform to the notion that the opening scene should set the tone of the film; it’s silly, sexy and very 1960s. There’s a climatic grand battle at the end and then the story resolves.

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