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The director of the Australian Ballet, talks to Debra Craine about beating injury and bringing George Balanchine’s Jewels to Covent Garden the company’s first performance there for 35 years
The director of the Australian Ballet, talks to Debra Craine about beating injury and bringing George Balanchine’s Jewels to Covent Garden the company’s first performance there for 35 years
A few weeks ago, in Hanover, Germany, dance critic Wiebke Huber found herself face to face with an angry choreographer. It seems that Huber had just that morning published a scathing review of the choreographer’s latest work, and the choreographer, Marco Goecke, had showed up to settle the score.