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Kévin Mischel), a very quiet and shy young man working as a taxi driver, the kind of repetitive and silent job which allows him to stay in his head at his leisure while making just about enough money to get by. Because Léo is indeed more interested in his music than in people, who are more of a nuisance to him than anything else, especially when they ask him to turn the music down during their ride his music, though they do not know that. (The article continues below - Commercial information) Léo is a tortured Uber artist, and Fouchard clearly wants us viewers to sympathise with his plight. The whole film is assembled to put us into the headspace of this sombre loner: the sound design and editing follow his obsession with music, his moody electronic beats leading the way from car ride to car ride, client to client, day to night.

Marc fouchardGlasgow filmகிளாஸ்கோ படம்