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Pop-up opera at the AO Glass Factory

AO Glass Presents Pop-Up Opera Performance at their Burlington Glass Blowing Factory For immediate release. On February 23rd, Swedish opera stars Lotte Ohlander and Laine Quist are bringing the glamour of opera to the industrial setting of Burlington’s AO Glass factory. Accompanied by the warm hum of the glass furnaces, and pianist Mary Jane Austin, their voices will create a beautiful melding of performing arts and craft. The performance will include a variety of opera favorites by Mozart, Bizet, and Vivaldi, some theatrical numbers and a special appearance by the Youth Opera Company of Vermont, led by Sarah Cullins. Adventure

Jane Fallon on the secret to her 40-year relationship with Ricky Gervais

These sustainable fake flowers are tabletop works of art

Reevein Studios is a Danish design company creating gallery-worthy fake flowers made from recycled materials that are affordable and sustainable.

How Philip Glass turns the circus into opera that s magical and profound

How Philip Glass turns the circus into opera that s magical and profound Mark Swed © (Mats Backer) Acrobats perform under the big top set up on the Malmo Opera stage for Circus Days and Nights. (Mats Backer) A drum beats. An accordion joins in, like the music of a clown. A trombone further adds a circusy effect. A bearded lady, aerial acrobat, juggler, lion tamer and trapeze artist all materialize under the big top. “Circus Days and Nights,” Philip Glass’ latest opera, is having its premiere by Malmö Opera through June 13 in a livestreamed co-production with the Swedish city’s Cirkus Crikör. The libretto is by David Henry Hwang, who based it on the autobiographical circus poetry of Robert Lax.

Astera for Malmo Opera and Funny Girl

Astera for Malmo Opera and Funny Girl Sweden – Sweden’s Malmo Opera presented an acclaimed production of musical classic “Funny Girl” as part of the autumn and winter repertory programme, which continued to run despite the pandemic. Audience figures were dramatically reduced to 50 plus a livestream which could be enjoyed by all who had bought a ticket for each performance. Planned two years earlier and fully sold out many months in advance, Malmo Opera decided to go ahead in delivering all their dynamic seasonal main house productions as the budgets were already allocated and spent. Leading Swedish lighting designer Fredrik Jonsson was delighted to be back working on a live show and helping to create the aesthetic for this vibrant, funny, and poignant piece known for its intricate production numbers.

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