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Fest Intentions: Waking Windows in Winooski, Vermont

The spring music and arts festival showcases a more intimate lineup for 2023, with Pile, Underground System, Rough Francis, and others.

Waking Windows announces pared down plans for Winooski festival

Downtown event will keep three-day structure but with much smaller footprint than the extravaganza the festival had built up to over past decade

FOTOBOM: PILE + MAL DEVISA @ ARTS AT THE ARMORY

Local noise rockers Pile celebrate the release of All Fiction, their seventh full-length record, in front of a sold-out hometown crowd.

Blair: Tears to Grow EP

Bandcamp / Buy For the Brooklyn band Blair, emo is an action, a wringing of feeling from the spark where it forms. On their new three-track Tears to Grow EP, Blair channels the tattered glow of ’90s Midwest emo and blown-out Northwest indie rock through the hearts and minds of young born-and-bred New Yorkers. Theirs are songs not for long drives, but for anxious subway rides. When the members of Blair lock in, though—when the poised noise of the guitars weaves with the textured swoop of the drums, when the call-and-response vocals collectively build to a scream, when they make room for a rushing solo before all crashing back together—the sound of

JD s tune/The Spring by Mal Devisa Review

Play Track Bandcamp / Buy Mal Devisa can magnify her voice from a whisper to a wail over the course of a single word, and in the past five years, her diverse body of work has spanned sparse folk and experimental rap. The new album Wisdom Teeth is her most sprawling release to date, incorporating rock, rap, lo-fi beats, and an elegant rendition of a jazz standard. On the gorgeous opener “JD’s tune/The Spring,” she calls up a medley of memories and sounds that exemplify her eclectic ethos. The song is perfumed with vivid imagery: Descriptions of tear-stained collars, white oleander flowers, and boys with gasoline on their lips evoke an exquisite eeriness that’s mirrored in the instrumentation. As the music oscillates between clattering drums and restrained piano, Mal Devisa’s rich alto anchors the evolving sound. She glides effortlessly even as she spans octaves: “Will you remember me? I’m the pain when you leave,” she sings, leaving an

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