The Beautiful Zion Young Adult Choir’s single “I’ll Make It Alright,” achieved something almost unheard of: it made the top 40 of the national soul singles chart.
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Pastor Charles Jenkins brings the praise in full concert mode on new album
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Charles Jenkins never fails to disappoint and his latest project, duly entitled Praise Party, only proves his ability to create dynamic music for the purpose of drawing a connection between the masses and the Holy Spirit. A full-on concert if you will,
Praise Party reminds us of the pivotal role that God plays in our lives and how we can reach greater heights by keeping the faith.
Jenkins reimagines Stephanie Mills’ “Never Knew Love Could Feel Like This” with a new twist that gives God the glory while acknowledging the desired outcome of unconditional love. All of the features stand out in their own majestic gospel tradition, coalescing Charles Jenkins’ approach to creating sonic perfection.
Paul Simonon and drummer
Topper Headon didn’t coin the phrase, they also refrained from protesting it. This act gained them enormous mistrust in certain quarters.
True, there was a good deal of self-mythologizing to the Clash. Just listen to tracks such as “Clash City Rockers,”“Last Gang In Town” or “Four Horsemen.” It was a trait absorbed from glam heroes
Mott The Hoople, one of Jones’ teenage obsessions. But the Clash truly were more than a mere punk band or even a rock ‘n’ roll band. They really seemed larger than life, especially if you were a teenager catching one of their first late ’70s U.S. tours. It felt like you were getting a cool, really loud soundtrack to lessons in how to walk, talk, dress and comb your hair. It’s as if they told you, “Maybe try wearing your belt buckle over your hip, like Paul. Oh, there’s this music called