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Online exhibition explores themes of domesticity

Online exhibition explores themes of domesticity France, Neuilly-Plaisance, September 4, 2018, Agata © Bieke Depoorter / Magnum Photos. LONDON .-The Magnum Gallery is presenting “There’s no place like home” an exhibition which explores themes of domesticity, sheltering, interiority and the comfort of personal spaces and objects in difficult times. The exhibition is exclusively on view online from 19 May to 31 August 2021 and brings together works of Magnum photographers Antoine d’Agata, Raymond Depardon, Bieke Depoorter, Bruce Gilden, Harry Gruyaert, Gregory Halpern, Peter Marlow, Susan Meiselas, Martin Parr, Paolo Pellegrin, Alessandra Sanguinetti, and Alec Soth. Resonating with much of current human experience around the world, the exhibition reflects on the concept of home as a central place for solace and security which can promise hope and a more favourable future during complex, long and uncertain moments in life. “There’s no place like home” examines how personal

Artdaily - The First Art Newspaper on the Net

The First Art Newspaper on the Net   Abraham Bloemart s Moses Striking the Rock, a painting from 1596 now in its collection. The museum said it had investigated and did not find compelling evidence that Curt Glaser had been forced to sell the painting. Metropolitan Museum of Art via The New York Times. by Catherine Hickley (NYT NEWS SERVICE) .- The Nazi authorities removed Curt Glaser from his post as director of the Berlin State Art Library in April 1933 because he was Jewish. He was also evicted from his home and, the following month, sold most of his art collection at two auctions. Since 2007, 13 private collectors or institutions — including the Dutch Restitutions Committee, the Prussian Cultural Heritage Foundation in Berlin, the Museum Ludwig in Cologne and the city of Basel — have concluded that Glaser sold his collection in May 1933 as a result of Nazi persecution, and agreed to either return or pay some compensation to his heirs for art he sold that wound up in th

The Magnum Gallery to open an exhibition of works by Herbert List

The Magnum Gallery exhibits photographs of Morocco taken by Harry Gruyaert

The Magnum Gallery exhibits photographs of Morocco taken by Harry Gruyaert Harry Gruyaert, Morocco. Region of the High Atlas. Msemir region. 1976 © Harry Gruyaert / Magnum Photos. LONDON .-The Magnum Gallery is presenting Morocco, an exhibition of works by Belgian photographer and filmmaker Harry Gruyaert focusing on his extensive travels to the North African country of Morocco. Gruyaert’s first trip to the country marked his colour photography ‘epiphany’. Gruyaert joined Magnum Photos in 1982. The exhibition is presented from 30 January to 2 April 2021 at the gallery and online. While Gruyaert became fascinated by the power of colour when he first moved to Paris in the 1960s, and subsequently on his first trip to New York in 1968 where he saw the works of Pop artists Roy Lichtenstein and Robert Rauschenberg, his revelation that colour photography was his preferred medium came from his very first trip to Morocco in 1969. Reminiscent of artists Eugène Delacroix and Henri Ma

Artdaily - The First Art Newspaper on the Net

The First Art Newspaper on the Net   by Jean-Louis De La Vaissiere PARIS (AFP) .- A French journalist s investigation into the alleged forgery network around art collector Giuliano Ruffini has also criticised the great negligence of art world experts. The doubts first became public when French police seized a painting owned by the prince of Liechtenstein from an exhibition in Aix-en-Provence in 2016. The prince had paid seven million euros at auction for the portrait of the goddess Venus by 16th century Italian painter Lucas Cranach, yet tests would soon reveal that the pigments used in the painting dated from the 20th century. Ruffini was well-known in the art world. Since the 1990s, he had sold dozens even hundreds of paintings by such luminaries as Parmigianino and El Greco to some of the great museums of Europe, including the Louvre, often through intermediaries. Many, he said, had come from the collection of an ex-girlfriend s father, Andre Borie, a civil engineer

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