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Natalia Brizuela and Julia Bryan-Wilson on the art of Jumana Manna

EXAMINING THE ETYMOLOGY of forager reveals that the word has evolved to convey starkly distinct meanings. It appears in fifteenth-century English to describe someone who roves in search of sustenance; a century earlier, the Old French foragier referred to a plunderer. This slippage befits Foragers, 2022, Jumana Manna’s most recent film and the centerpiece of “Break, Take, Erase, Tally,” the Berlin-based Palestinian artist’s current midcareer survey, curated by Ruba Kartrib, at MoMA PS1 in New York. With a runtime of just over an hour, Manna’s work follows Arabs who wander fields picking herbs,

Jumana Manna s A Magical Substance Flows into Me | Magazine

SAF Call for 2022 Production Programme Artists

SAF Call for 2022 Production Programme Artists
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Kaelen Wilson-Goldie on For a Free Palestine: Films by Palestinian Women

IN 1935, a German ethnomusicologist named Robert Lachmann was fired from his library job and fled from the Nazis to Jerusalem. Born in Berlin to a Jewish family, he had learned to speak fluent Arabic as a young man and had begun to study the forms and structures of Arabic song while working as an interpreter for North African POWs during World War I. He later traveled to Morocco, Tunisia, Algeria, and Egypt, conducting extensive fieldwork on secular and liturgical music while developing a wide area of expertise ranging from medieval to modern songs and encompassing everything from Kurdish and

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