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Wonder Woman 1984 And The One-Villain-Too-Many Problem

Wonder Woman 1984 As much as 2017 s Wonder Woman came steeped in muddy browns and muted grays, every frame of its sequel Wonder Woman 1984 radiates bright, retina-sizzling neons and pastels. That stark contrast goes beyond their respective visuals it extends to their very different emotional landscapes and narrative drives. Where Wonder Woman was an origin story set largely amid the soggy trenches and bombed-out European villages of World War I, WW84 relocates Diana (Gal Gadot) to the broad white boulevards of Washington, D.C., in the middle of the Greed Decade. As a kind of mission statement, director Patty Jenkins stages the film s first (of, it should be noted, surprisingly few) action set-pieces in that most consumerist,

Review: Wonder Woman 1984 Is Fun, But Labored : NPR

toggle caption Warner Bros. She s Running: Diana (Gal Gadot) chases her quarry through the streets of Washington in the sequel Wonder Woman 1984. Warner Bros. Wonder Woman 1984 As much as 2017 s Wonder Woman came steeped in muddy browns and muted grays, every frame of its sequel Wonder Woman 1984 radiates bright, retina-sizzling neons and pastels. That stark contrast goes beyond their respective visuals it extends to their very different emotional landscapes and narrative drives. Where Wonder Woman was an origin story set largely amid the soggy trenches and bombed-out European villages of World War I, WW84 relocates Diana (Gal Gadot) to the broad white boulevards of Washington, D.C., in the middle of the Greed Decade. As a kind of mission statement, director Patty Jenkins stages the film s first (of, it should be noted, surprisingly few) action set-pieces in that most consumerist,

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