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Oscar Nominated Shorts 2021: Animation Review

More surprises than usual for this category. TWITTER 4/2/2021 Theaters reopened just in time for the annual round-up of Oscar-nominated animated shorts. A couple of truly daring visions spice up the expected fare in this year s crop of Academy-honored animated shorts one of which would be as at home in an art gallery as in the theaters, which, pandemic be damned, will still showcase nominees as a big-screen event. Each candidate has something to offer, including those non-nominees that have been added (as highly recommended ) to stretch the program s running time to feature length. But this is the rare occasion in which (for the first time in a very long time) the Oscar could go to a film that really pushes the limits of the form.

How to win your Oscar pool: Ace the three shorts categories

Burrow (USA, 6 minutes) Director: Madeline Sharafian.  In perhaps the quaintest of the five animated shorts, a female rabbit digs for new digs only to repeatedly find herself invading the space of other burrowing creatures. This process continues until she learns going it alone isn’t nearly as fun and rewarding as joining together to form a community. What Sharafian, an artist on the Oscar-winning “Coco,” lacks in imagination is handsomely compensated by superior animation techniques and a fastidious attention to detail. Still, it fails to unearth much emotion.  Grade: B- Genius Loci (French, 16 minutes) Director: Adrien Mérigeau. No arguing the inventiveness of Mérigeau’s distinctive pen-and-ink style, but his deep dive into the inner-emotional world of a young, lonely Parisian woman is just too esoteric to comprehend. It’s visually pleasing watching the constant shapeshifting of people, patterns and pets, but for what purpose? And at 16 minutes, it becomes a bit of

Cinema Chat: French Exit, Oscar Nominated Animated Shorts, Godzilla Vs Kong, And More

Cinema Chat: French Exit, Oscar Nominated Animated Shorts, Godzilla Vs Kong, And More
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Review: Oscar-nominated short films reflect the year of upheaval in which they emerged

Review: Oscar-nominated short films reflect the year of upheaval in which they emerged
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Oscar-nominated short films review: A breadth of genres

Each year, the Oscars’ shorts categories are an opportunity to spotlight a breadth of imagination and emotion across all filmmaking cultures, and for 2021 the sampling reveals a well intentioned tapestry of upheaval’s ripple effects. The live action slate is marked by stories of interactions in which proximity doesn’t always imply easy understanding. For the Palestinian father and young daughter venturing into the West Bank in Farah Nabulsi’s understatedly tense “The Present,” a simple shopping trip to buy mom a gift is a humiliating reminder of institutionalized otherness with each security checkpoint ordeal. The divide between haves and have-nots is more strategically hidden in Israeli filmmaker Tomer Shushan’s “White Eye,” in which a man’s late-night discovery of his stolen bicycle triggers a confrontation with a stranger whose world is very different. Shushan’s one-take storytelling style is ill-considered, but the well-acted scenario still carries the weig

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