as far back as i can remember, i always wanted to be a gangster. goodfellas is like, fasten your seatbelts, i m going to kick the shit out of you for two and a half hours and you re going to love it. there have been so many gangster movies, so many mob movies. is it really possible that in 1990 martin scorsese will be able to make a gangster movie that has something to say that hasn t already been said a million times? it s going to be a good summer. and you watch the movie and you re like, yeah. see you later, thanks. what are you doing? you re leaving your car? he watches the car for me. we tried to capture the exuberance of that world. it s dangerous and threatening, but they re having a wonderful time. over there. oh, thanks a lot. goodfellas was the nuts and bolts of the mob. it was the mob as a job. what do you do?
they would not know it was the last journey, therefore the journey had to be magnificent. a lot of women looked at this film and thought, i can relate to those women. i know what they re going through. i can understand the choices they make. let s keep going. what do you mean? go! they looked at each other and they both knew. are you sure? it s kind of the culmination of both our lives and we have no choice. let s go. i can t imagine the movie would have had any power at all had we not ended it that way. i have no enemies here. no? wait a while. shawshank redemption is the perfect prison film.
we have liftoff. apollo 13 was a real turning point for me and an eye opener. i learned the power of a true story. this is houston. say again, please. houston, we have a problem. just believing in the story and not theatricalizing it. my mantra was, just show it. we re not going to have enough power left to get home. we know they re going to be saved. but the thing we care about is, how are they going to be saved? what do these people have to do to save them? that is what s riveting. the 90s brought us a new look at some previously thought to be well-known stories. come on, jack. when you look at the film jfk, the movie is about what we can trust and who we can trust.
hollywood guard. gee. we are not machines. we are not. women didn t make their own movies. are you crazy? i have director approval and that is true. she got everything she wanted. it s very interesting. people think some like it hot is the greatest comedy of all time. she was at the height of her success and all of a sudden the curtain came down. it s like, wait a minute. the movie s not over.
its got ideas of space travel and all what kind sci-fi. gywhen james cameron got to t-2 he was interested in expanding his palette. it was widely ground breaking. cameron was working with industrial light and magic. they re inventing this process of cgi as they went. when you first heard steven spielberg would be making a movie about a place where dinosaurs were brought to life,