Helen Shaw reviews “Bark of Millions,” at the Brooklyn Academy of Music; Cole Escola’s “Oh, Mary!,” at the Lucille Lortel; and “Aristotle Thinks Again,” at La Mama.
‘Bark of Millions’ and ‘The Following Evening’: A maximalist performance and a quiet, inward-looking play both, somehow, about creative legacy and earthly (or human?) mystery.
If Taylor Mac and Matt Ray’s four-hour rock opera were aiming to succeed on aural gorgeousness and visual spectacle alone, there would be no cause to quibble.