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Museums present A Living Language: Cherokee Syllabary and Contemporary Art

Museums present A Living Language: Cherokee Syllabary and Contemporary Art Rhiannon Skye Tafoya (Eastern Band of Cherokee Indians), Ul’nigid’, 2020, letterpress (photopolymer and Bembo & Cherokee Syllabary metal type) printed on handmade & color plan paper with paperweaving, closed: 11 × 11 ¼ inches, assembled: 23 ½ × 11 ¼ × 5 ⁵⁄₈ inches. Courtesy the Artist. © Rhiannon Skye Tafoya, image Rhiannon Skye Tafoya. ASHEVILLE, NC .- A Living Language: Cherokee Syllabary and Contemporary Art features over 50 works of art in a variety of media by 30+ Eastern Band of Cherokee Indians (EBCI) and Cherokee Nation artists. The exhibition highlights the use of the written Cherokee language, a syllabary developed by Cherokee innovator Sequoyah (circa 1776–1843). Cherokee syllabary is frequently found in the work of Cherokee artists as a compositional element or the subject matter of the work itself. The exhibition is on view at the Museum of the Cherokee Indian in Cherokee, NC

A Living Language: Cherokee Syllabary and Contemporary Art exhibit set to open - The Cherokee One Feather

A Living Language: Cherokee Syllabary and Contemporary Art exhibit set to open - The Cherokee One Feather
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Asheville Art Museum and the Museum of the Cherokee Indian present A Living Language: Cherokee Syllabary and Contemporary Art

Asheville Art Museum and the Museum of the Cherokee Indian present A Living Language: Cherokee Syllabary and Contemporary Art Exhibition on view beginning June 12, 2021 at the Museum of Cherokee Indian Author: Exhibition on view beginning June 12, 2021 at the Museum of Cherokee Indian News Release Asheville Art Museum A Living Language: Cherokee Syllabary and Contemporary Art features over 50 works of art in a variety of media by 30+ Eastern Band of Cherokee Indians (EBCI) and Cherokee Nation artists. The exhibition highlights the use of the written Cherokee language, a syllabary developed by Cherokee innovator Sequoyah (circa 1776–1843). Cherokee syllabary is frequently found in the work of Cherokee artists as a compositional element or the subject matter of the work itself. The exhibition will be on view at the Museum of the Cherokee Indian in Cherokee, North Carolina from June 12, 2021 to October 31, 2021, and in the Asheville Art Museum’s Appleby Foundation Exhibition

K ART Announces Two New Exhibitions That Address Violence Against Women

K ART Announces Two New Exhibitions That Address Violence Against Women Brought to Light brings together five Native artists: Natalie Ball; Luzene Hill; Sonya Kellihercombs; Jodi Lynn Maracle; and Julia Rose Sutherland. by BWW News Desk K Art has announced the details for its newest exhibitions. Set to open Friday, April 30, 2021, in K Art s 2,000 square-foot gallery space, Brought to Light: The Epidemic of Violence against Indigenous Women addresses devastating statistics of violence. Compared to any other group, Native American women in the United States are more than twice as likely to experience violence; 84% of Native women have experienced violence in their lifetime. In 2016 alone, there were 5,712 known incidences of murdered or missing Native women. Canada has categorized this human rights crisis as genocide and has undergone a national inquiry into murdered and missing Indigenous women and girls.

Native American Fellowship Exhibit at Ucross Foundation – Sheridan Media

The current exhibition at the Ucross Foundation Gallery,  “Marking Time,” is a collection of artwork of the two recent Native American Fellowship recipients, Luzene Hill, and Heidi Brandow. The exhibit is to bring attention, via the art, to missing and abused Native American Women.              Hill, a multimedia artist best known for her socially engaged conceptual installations and performances, and is an enrolled member of the Eastern Band of Cherokee Indian.             Brandow, a multi-disciplinary artist with an active painting, printmaking, and social-engagement. She hails from a long line of Native Hawaiian singers, musicians, and traditional dancers on her mother’s side, and Diné storytellers and medicine people on her father’s side.      

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