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★☆☆☆☆By the end of this unrelentingly grim evening you’re left with one question: why did anyone think Marina Carr’s overheated pastoral tragedy, first seen at the Abbey Theatre in Dublin in 1996
Director Rupert Goold and co have a field day with Lulu Raczka’s elusive new Jacobean folk horror; star-crossed Cardiff teenagers snare hearts and minds; and Sheridan Smith makes Willy Russell’s midlife monologue her own