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But intriguing though its premise is, I couldn’t really make friends with this film. Two characters meet in New York and fall in love, but we never see them (though we maybe glimpse them). We do however hear their voices on the soundtrack, musing and commenting. One is Wilson (Marcela Souza e Silva), a Brazilian migrant worker who is in fact about to return to Brazil due to worrying news from home; the other is Lamis (Mary Ghattas), a Lebanese single mum. What we see is the city around them: ambient streetscapes. But it is not true to say that we see what the characters see, because, in this sense, they never see each other or catch sight of themselves in any mirror. We hear their voices, and also that of a central narrator (Grace Passô), but these voices are strangely unanimated. The actors simply read aloud what are evidently Wilson and Lamis’s thoughts, or possibly journal entries, or emails to each other, which are musing and ruminative. The line-readings are weirdl

New yorkUnited statesClarissa campolinaLamis mary ghattasBelo horizonteLuiz prettiMarcela souzaMary ghattasGrace passAre hereDocumentary filmsDrama filmsWorld newsபுதியது யார்க்ஒன்றுபட்டது மாநிலங்களில்கிளாரிசா காம்போலினா